|
Reading in the City: in everyday life
|
|
0
|
862
|
August 31, 2023
|
|
Fiction Reading and Morality Shifts
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|
0
|
885
|
September 5, 2023
|
|
On how fiction impacts the temporal self-concept
|
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0
|
1222
|
August 31, 2023
|
|
Narrative identity and the empirical reader: A qualitative study of reading and mental health in Australia
|
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0
|
1104
|
September 5, 2023
|
|
Performing Systematic Empirical Research in the Arts. A Handbook
|
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0
|
1042
|
September 5, 2023
|
|
Using networks to navigate a corpus of reading-reviews. An explorative study of absorption expressions in different genres
|
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0
|
1067
|
August 31, 2023
|
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Neurocognitive processing of textual cues in literary reading
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0
|
820
|
August 31, 2023
|
|
Psychopoetics of Rhythm: Is Parallelism a Path to Pleasure?
|
|
0
|
1519
|
August 30, 2023
|
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One world? Narrative Presence in Stories vs. Sensory Presence in Immersive Environments
|
|
0
|
970
|
September 6, 2023
|
|
Is Heidi really happier in the mountains? A computational study of fictional space and emotion
|
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0
|
935
|
September 5, 2023
|
|
Structure-building in music and language, seen as harmony x rhyme interaction
|
|
0
|
936
|
September 4, 2023
|
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Hearing hidden meter: How syntax shapes the perception of metrical rhythm
|
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0
|
854
|
September 4, 2023
|
|
Genre Expectations and Mentalizing in Fiction vs Non-Fiction: Testing a New Theory of Mind Questionnaire
|
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0
|
1226
|
August 31, 2023
|
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Exploring the quantitative analysis of rhythmic patterns in poetry and prose through machine learning techniques
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0
|
1054
|
September 4, 2023
|
|
IGEL2023 conference schedule
|
|
1
|
1967
|
September 12, 2023
|
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The grammar of visual narratives: The structure and (neuro)cognition of sequential images
|
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0
|
947
|
September 11, 2023
|
|
Q methodology, a whole-person approach to story experience
|
|
0
|
777
|
September 11, 2023
|
|
Effects of Foregrounding on Readers’ Affective Reactions: A Study on Negative Empathy
|
|
0
|
1158
|
August 30, 2023
|
|
Memories of the future: Literature as a source of the possible
|
|
0
|
1351
|
August 31, 2023
|
|
From Mining to Profiling: A computational literary case study on gender features in literary texts
|
|
0
|
1162
|
August 30, 2023
|
|
Reading Russian Poetry: An expert-novice study
|
|
0
|
874
|
September 5, 2023
|
|
The auditory reception of literature: Experiences and practices with audiobooks
|
|
0
|
1207
|
August 31, 2023
|
|
Individualized Communal Experience: Players of Detroit: Become Human
|
|
0
|
2034
|
September 4, 2023
|
|
Forms and characteristics of the unreliable narrator in reading La Madre
|
|
0
|
890
|
August 31, 2023
|
|
On a rollercoaster with Frieder, Jim, Hazel and Harry: Identifying emotional arcs in reader responses to children and youth books
|
|
0
|
1097
|
August 31, 2023
|
|
Unlocking the Power of Emotions of “Immersive Literature”
|
|
0
|
843
|
September 6, 2023
|
|
Tracking Prose Rhythm. A Validated Coding Manual for Prosodic Phrasing and Syllable Prominence
|
|
0
|
686
|
September 4, 2023
|
|
Absorbing is not Absorbierend. Setting up a multi-lingual research project
|
|
0
|
858
|
August 31, 2023
|
|
"If I met myself": Digital narrative approach to experiencing the self in the virtual world
|
|
0
|
785
|
September 6, 2023
|
|
The Sublime as a Narrative Technology - A Perspective from Modern Chinese Literature
|
|
0
|
826
|
September 4, 2023
|
