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Reading in the City: in everyday life
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0
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378
|
August 31, 2023
|
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Fiction Reading and Morality Shifts
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0
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345
|
September 5, 2023
|
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On how fiction impacts the temporal self-concept
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0
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373
|
August 31, 2023
|
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Narrative identity and the empirical reader: A qualitative study of reading and mental health in Australia
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0
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412
|
September 5, 2023
|
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Performing Systematic Empirical Research in the Arts. A Handbook
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0
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411
|
September 5, 2023
|
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Using networks to navigate a corpus of reading-reviews. An explorative study of absorption expressions in different genres
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0
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371
|
August 31, 2023
|
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Neurocognitive processing of textual cues in literary reading
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0
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376
|
August 31, 2023
|
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Psychopoetics of Rhythm: Is Parallelism a Path to Pleasure?
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0
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502
|
August 30, 2023
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One world? Narrative Presence in Stories vs. Sensory Presence in Immersive Environments
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0
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343
|
September 6, 2023
|
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Is Heidi really happier in the mountains? A computational study of fictional space and emotion
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0
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370
|
September 5, 2023
|
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Structure-building in music and language, seen as harmony x rhyme interaction
|
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0
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367
|
September 4, 2023
|
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Hearing hidden meter: How syntax shapes the perception of metrical rhythm
|
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0
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374
|
September 4, 2023
|
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Genre Expectations and Mentalizing in Fiction vs Non-Fiction: Testing a New Theory of Mind Questionnaire
|
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0
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479
|
August 31, 2023
|
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Exploring the quantitative analysis of rhythmic patterns in poetry and prose through machine learning techniques
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0
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308
|
September 4, 2023
|
|
IGEL2023 conference schedule
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1
|
1229
|
September 12, 2023
|
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The grammar of visual narratives: The structure and (neuro)cognition of sequential images
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0
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391
|
September 11, 2023
|
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Q methodology, a whole-person approach to story experience
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0
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362
|
September 11, 2023
|
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Effects of Foregrounding on Readers’ Affective Reactions: A Study on Negative Empathy
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0
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452
|
August 30, 2023
|
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Memories of the future: Literature as a source of the possible
|
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0
|
408
|
August 31, 2023
|
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From Mining to Profiling: A computational literary case study on gender features in literary texts
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0
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384
|
August 30, 2023
|
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Reading Russian Poetry: An expert-novice study
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0
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351
|
September 5, 2023
|
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The auditory reception of literature: Experiences and practices with audiobooks
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0
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388
|
August 31, 2023
|
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Individualized Communal Experience: Players of Detroit: Become Human
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0
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377
|
September 4, 2023
|
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Forms and characteristics of the unreliable narrator in reading La Madre
|
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0
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331
|
August 31, 2023
|
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On a rollercoaster with Frieder, Jim, Hazel and Harry: Identifying emotional arcs in reader responses to children and youth books
|
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0
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368
|
August 31, 2023
|
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Unlocking the Power of Emotions of “Immersive Literature”
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0
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344
|
September 6, 2023
|
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Tracking Prose Rhythm. A Validated Coding Manual for Prosodic Phrasing and Syllable Prominence
|
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0
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257
|
September 4, 2023
|
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Absorbing is not Absorbierend. Setting up a multi-lingual research project
|
|
0
|
390
|
August 31, 2023
|
|
"If I met myself": Digital narrative approach to experiencing the self in the virtual world
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0
|
314
|
September 6, 2023
|
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The Sublime as a Narrative Technology - A Perspective from Modern Chinese Literature
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0
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318
|
September 4, 2023
|
